Since no one's nitpicked it yet, the pedobear seems off. Though it's clear why you made that choice and it didn't strike me as such until I started looking for stuff to complain about.
I should say that I really like your new stuff I_M. It all looks pretty good, and when you go for a more cartoonish/outlandish subject it has a "right" looking feel*. Perhaps because we're conditioned to expect and appreciate variable proportions when things look less real.
Even though I'd like to get on the nitpick train about some of your proportions, I'd like to add that in contrast to everyone else here, I really like this one:
I made a thing.
Both as an exercise and as a painting/picture/whateverthehellyou'dliketocallityoupompouslikingtechnicallingofucker.
In spite of the fact that this is
exactly the wrong thing to use painting time for: To me it looks very much like a carefully taken photograph. Captured by surprise in that one moment where the subject reflects on the sunrise/set that she's just witnessed and is about to complete her return to face the photographer.
I know I'm projecting a lot more onto the art than the lines really tell. For me this makes your character more interesting/relatable, because the pose and scene evokes memories of someone I was really invested in.
No, that's not the kind of profound, sincere praise an artist always wants to hear. Just a stab at why I like it so well. To try and express why it was so successful with me in particular.
Looking forward to your next bit. If you're taking suggestions, I think I'd like to see what you do when two characters, or an event featuring several is your subject. Instead of doing either character drafts or profiles (if that is the right word).
*Holy balls what a horseshit line. Note to self, edit this later when less retarded.