No, but it makes a good segue into 1963, which I recently read and have been wanting to talk about.
1963 is a similarly-unfinished comic series from 1993, written by Alan Moore (Swamp Thing) and illustrated variously by Steve Bissette (Swamp Thing) and Rick Veitch (Swamp Thing), with inks by John Totleben (Swamp Thing).
As the title implies, the book is an homage to the Marvel books of the 1960's. The first two issues are Mystery Incorporated, a sci-fi story about a family of four explorers, and The Fury, about a teenage superhero who supports his mother while mourning the death of his father; that issue features Sky Solo, Lady of LASER. Next is Tales of the Uncanny, featuring a story about USA, a patriotic superhero from the '40's, and Hypernaut, a mechanical hero with a tragic secret. Then there's Tales from Beyond, with N-Man, a giant, muscled monster, and Johnny Beyond, a dimension-hopping sorcerer. #5 was Horus, Lord of Light, about an ancient god alternating between a modern secret identity and interaction with his mythical pantheon, and #6 was The Tomorrow Syndicate, which teamed up USA, Hypernaut, Horus, and N-Man with a married couple of size-changing scientists, Inra-Man and Infra-Girl.
Beyond the basic premises, though, Moore wrote the dialogue in an over-the-top, alliterative Stan Lee style, using catchphrases like "Say no more!", "Excalibur!", and "Be sure to see it's Sixty-Three!" Each issue featured a lettercol and a Bullpen Bulletins-style news page, and those were where the parody ceased to be loving and got a little vicious -- Affable Al is a cheerful, no-talent megalomaniac who overworks his artists while claiming credit for their work and paying them poorly. The Marvel Bullpen is replaced with the Sixty-Three Sweatshop, where the artists toil while Al sits in his air-conditioned office.
There are also fake ads. They're pretty entertaining too.
Anyway, 1963 was also something of a rebuke to the Dark-and-Gritty trend of the day, and its final issue was to be an 80-page special where the 1963 characters traveled to 1993 and met the Image stable of Spawn, the Savage Dragon, and whoever the hell else Image was publishing back then, but it never happened. Lee and Liefeld got busy, Moore and Bissette had a falling-out, and the Dark-and-Gritty trend started to recede. So the closest we'll see to the intended denouement is the bit in #6 where the Tomorrow Syndicate travels to the future and the art style changes several times.
Anyway. A great book, and highly recommended if anyone can find it.